Johnny Razorhands
I don’t care for musical theatre, I never saw Miss Saigon, I didn’t like Rent, I wouldn’t go near an Andrew Lloyd Webber musical unless you paid me a chunk of money to plug my ears with (I have big ears), but I love Stephen Sondheim and I approve of Tim Burton’s adaptation of Sweeney Todd. Yeah yeah, they took out the song that introduces then sums up the story, and you can’t beat live theatre at portraying carnage (fountains of blood!) and horror (screams from the audience!), but it works for me. The voices of Johnny Depp and Helena Bonham-Carter are not powerful enough for the stage, but this is not the theatre, it’s the cinema. Actually, Johnny could front a band doing David Bowie covers, and one might say he’s been in training for the role since Edward Scissorhands. The kid who plays Toby is great, the young lovers are so forgettable even the movie forgets them (we never find out if they get away), and Timothy Spall could play the Beadle in his sleep. Alan Rickman I found almost sympathetic as Judge Turpin. (Finally I can trundle out the Rickman story I’ve been hoarding. A few years ago, Yodel was at Old Swiss Inn in Makati when she heard a very familiar voice at a nearby table. She looked, and it was Alan Rickman. He was with some Pinoys who were talking about the Harry Potter flicks, and Yodel wanted to say, “Truly, Madly, Deeply!”) The former Ali G/Borat Sacha Baron Cohen turns up as Pirelli, in pants so tight they must help him hit the high notes. Sweeney Todd is wonderfully horrible. I can’t think of more beautiful songs about the ugliness of humanity. Don’t bring the children.