The unbearable darkness of being
We spent a half-hour flagging cabs in the rain, hired an overpriced hotel car, sat in traffic for an hour, broke my rule about setting foot in Maul of Asia, missed the cocktails, had to surrender our phones, and ended up having a late dinner in the last place on earth that still plays Bobby Brown, in order to watch The Dark Knight premiere at IMAX, and it was worth it.
This is the Frank Miller Batman: bleak, intense, often scary. The amazing Heath Ledger takes us to dark places we wish we didn’t have to look, but suddenly we understand the Joker. Did you even think that was possible? What a flat cartoon Nicholson’s Joker now seems. Maggie Gyllenhall has the best gaze in the cinema today. Christian Bale holds it all together with dignity and the terrible intelligence of the hero who knows that society must reject him.
Remember how, in school, there were DC and Marvel factions? The DC fans were regarded as silly and shallow, while the Marvel fans were complicated and troubled? The Dark Knight makes the recent Marvel movies (and Batman Begins) look glib and happy. Christopher Nolan reminds us that there is nothing simple about the battle between good and evil. Brilliant. This is possibly the best superhero movie ever made.