Cheating with Boccaccio
The other day I read an essay on how to survive the credit crunch. The author suggests that we read Boccaccio’s Decameron. Written in the 14th century, the Decameron is set in a time more horrific than ours: the Black Death of 1347 which wiped out much of the population of Europe. In the book, seven ladies and three gentlemen try to escape the plague by fleeing to the country. There they entertain themselves by telling stories. Each day a theme is set—say, love stories with unhappy endings—and each participant has to tell a tale along those lines. There are horror stories, romantic stories, tragic, comic, and erotic stories (Such as the one about the well-endowed young man who goes to work as a gardener at a convent and pretends to be a deaf-mute…). The point being that even in the worst of times, people will go on laughing, crying, and repopulating the earth. You can’t beat the life force.
If you’re going to read just one book in your entire life, I recommend the Decameron for its wide range of human experience. I dusted off my browning paperback (the one bright spot in an incredibly tedious Medieval and Renaissance lit survey—some teachers take the fun out of everything), had a little nosh, and before I knew it, it was 3 am. I don’t know about surviving the recession, but Boccaccio is exactly what I need to survive The Wings of the Dove by Henry James. I’m still slogging through the James in the hope that any minute its beauty will kick in and I’ll see what the fuss is all about. Whenever I feel like hurling the book at the wall or yelling “Shut up! Shut up, you old fart!” I pick up the Boccaccio and read a few stories until my fury passes. I think of it as cheating on Henry James with Giovanni Boccaccio.
Today after dinner, Jay and I were sitting in Jan’s studio when Jay noticed a pot of basil on the window seat. This reminded me of that tale in the Decameron about a young woman whose lover is killed by her brothers. He appears to her in a dream and tells her where his body is buried. She unearths his head and plants it in a pot of basil which she waters with her tears.
Lorenzo de Medici (the Magnificent) commissioned the painter Sandro Botticelli to do four paintings based on the 8th tale of the 5th day (The table of contents includes very helpful summaries of each tale). In the tale Nastagio falls in love with a haughty woman who treats him cruelly, but he can’t get her out of his mind. So he goes on a trip and one day, in the forest, he beholds a terrifying sight:
A beautiful naked woman being chased by a knight on a black horse (Botticelli preferred white) and two huge dogs.
The dogs attack the woman, tear her apart and devour her. Nastagio learns that the knight was a lovesick man like himself, and the woman was his tormentor. Upon their deaths, the knight and the woman are condemned to enact this horrible chase every Friday for all eternity.
Clever Nastagio realizes that he can benefit from this regularly-occurring apparition. He organizes a breakfast banquet at the exact spot where he’d seen the bloody vision, and invites several guests—including the cruel woman he loves.
The chase takes place right on schedule. Nastagio’s beloved is so disturbed by the vision and its similarity to her own situation that she immediately resolves to be nice to him.
I had a DVD of Pasolini’s adaptation of The Decameron. It came free with an Italian magazine—I don’t speak Italian, but I figure that if I keep trying to read it, comprehension will kick in at any moment (same principle I’m applying to the James). The DVD had no subtitles, not that it needed any: it was all nudity and boinking. It got boring after a while so I gave it away.