‘War is a force that gives us meaning.’
The best action director working in Hollywood today is a woman. Her name is Kathryn Bigelow. Her movie is The Hurt Locker, the intense, gripping, exhilarating story of an American bomb squad in Iraq. I would put my money on Bigelow in a fight with Michael Bay, Gavin Hood, and Tony Scott. She would destroy them with a few well-placed punches; the woman can tell a story with minimal clutter and maximum tension. (She was married, briefly, to James Cameron. What an interesting household.)
More than all the well-meaning Iraq movies of the last few years, The Hurt Locker gets down to a basic truth about war: It’s a drug.
A.O. Scott’s review in the NYT: ‘If “The Hurt Locker” is not the best action movie of the summer, I’ll blow up my car.’
David Denby’s review in TNY: ‘…unlike so many directors today, who jam together crashes, explosions, and people sailing through the air in nonsensical montages of fantasy movement, Bigelow keeps the space tight and coherent. No matter how many times she cuts away, you know exactly where James is in relation to a bomb—whether he’s in the kill zone or far enough away to be safe.’
It just opened in New York, but you know. . .