Architecture as a character in films
The house in Godard’s Contempt belonged to Curzio Malaparte.
Archicine by Federico Babina in ArchDaily. via Flavorwire.
From the time we saw Brian De Palma’s woefully underrated Femme Fatale in 2002, we have been looking for this piece by Ryuichi Sakamoto. (The movie’s closing credits are no help at all.) Here it is, and of course it’s called Bolerish.
Answers to questions you might be asking, unless you wandered onto this site purely by accident >>>
December 2nd, 2013 at 14:59
more (hard to find) “femme fatale” music
https://www.youtube.com/watch?v=_B4Q_QqL9_4
https://www.youtube.com/watch?v=x0indMYlZWY