A French-Filipino bistro in Paris
Cuttlefish in ink and spicy cabbage at Le Servan. Credit Edouard Sepulchre
Restaurant Report: Le Servan, Iya’s daughter’s restaurant.
Cuttlefish in ink and spicy cabbage at Le Servan. Credit Edouard Sepulchre
Restaurant Report: Le Servan, Iya’s daughter’s restaurant.
You’re looking for something? What? What? Can I help?
Have you looked in your bag? I’ll find it, I’m very helpful.
Maybe it’s on this shelf. Ooh, books. Will you read a book to me? I love stories.
Are you writing your column? Can I write it for you? Look, I can hold a pen.
Are you tired? Why don’t you rub my tummy? It’s very soft.
Look into my eyes. Your eyelids are getting heavy. Sleep. Sleeeeep.
In Maratabat, the first film by journalist Arlyn de la Cruz, one family—Abubakar—rules a fictional yet familiar province in Muslim Mindanao. The father is Governor, the eldest son Congressman, the younger son Mayor. Their power appears to be absolute; they don’t so much govern the province as hold it hostage. Early on the Governor (Julio Diaz, switching between charm and malevolence so fast it makes your head spin) has breakfast with a young relative. All is friendly until the younger man confirms that he intends to run for mayor against the Governor’s son. The Governor casually shoots him in the head and leaves. No witnesses come forward—“It happened so fast.”
Motherhood, Money and Medicine
How many movies have we seen in which a bitchy, overbearing woman is revealed in the end to be a tender-hearted softie hiding behind a veneer of toughness? Thankfully, Zig Dulay’s M (Mother’s Maiden Name) is not one of those movies.
Zsa Zsa Padilla is terrific as Bella, a successful lawyer and single mother who discovers that she has late-stage cancer. “How did that happen?” she asks her doctor. “I eat expensive food. I seldom drink, and only expensive liquor.” Thus she sums up her upper middle-class notion that her lifestyle will protect her from anything really terrible. That’s what she thinks. In M, everyone is vulnerable to illness regardless of socio-economic class; however, money will determine the quality of medical treatment.
Read our column at InterAksyon.com.
Today’s reviews are brought to you by the letter M.
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M (Mother’s Maiden Name) and Maratabat will screen at the New Wave (in other words, indie) section of the Metro Manila Film Festival, December 17-24, 2014 at Glorietta in Ayala Center, Makati and Megamall in Mandaluyong.
Update: Sony Pictures cancels holiday release of The Interview after threats.
That’s great, chicken out after weeks of free front-page and viral publicity, when people now want to see The Interview.
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While we enjoyed the confirmation that Hollywood is run by horrible people, the confidential reports of forthcoming projects, and the appreciation of Michael’s Fassbender, that information came from a crime perpetrated by a group that wants to stop the showing of a movie. They want to gag free speech.
The news organizations who used the stolen data claim that they selected only the “newsworthy” stuff–we need a new definition of what is news. They’re invoking free speech to make revelations made possible by people who are against free speech.
Never mind the reputation and income of the corporation, but sensitive personal data of its employees has been made public.
And if we only watch movies made by nice people (and read books, listen to music, look at art, eat food, live in buildings, wear clothes, use gadgets, ride cars by nice people), there would be no culture.
Read about it at the NYT.
Hmm, Haircuts for the Homeless, Helping the Hackers—today’s headlines are brought to you by the letter H.
Mark Bustos. Credit: Ramsay de Give for The New York Times
Every Sunday, Mark Bustos, 30, a hairstylist at Three Squares Studios, an elite salon in Chelsea that charges $150 to clients like Norah Jones, Marc Jacobs and Phillip Lim, hits the sidewalk and provides free cuts to the homeless.
Mr. Bustos often wanders around Union Square, the Lower East Side and Midtown, where he has gotten to know some of the homeless by name. “See that guy over there,” he said, walking down the Bowery. “That’s Cowboy Ritchie,” whose wife, Mr. Bustos added, “wants him to shave his beard off because it looks too good and the other women flirt with him.”
Other times, Mr. Bustos meets his unsuspecting new clients through friends and paying clients, who tell him about people in their neighborhoods. He does up to 10 haircuts a day.
Read A Hairstylist Provides Free Cuts to the Homeless in the NYT.
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