JessicaRulestheUniverse.com

Personal blog of Jessica Zafra, author of The Collected Stories and the Twisted series
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Archive for the ‘Art’

Journal of a Lockdown, 22 Sept 2020. The Burnt Orange Heresy: Thrilling, no. Gorgeous, yes.

September 22, 2020 By: jessicazafra Category: Art, Journal of a Lockdown, Movies 2 Comments →

In Milan, shady art critic James Figueras and Berenice, his mysterious American lover whom he just met yesterday, is invited to the lakeside villa of rich-as-Croesus art collector/gallerist Cassidy and roped into a scheme to steal a painting from reclusive artist Debney, who may have set his own work on fire many years ago. Giuseppe Capotondi’s film of The Burnt Orange Heresy, based on the novel by Charles Willeford (which I now want to read), is supposed to be a thriller, but it’s too languid and stately to raise your pulse.

The movie starts to fizzle out right when the crime is committed, but it raises fascinating questions about Art. Like, wtf is it? What do you really see when you look at art—the art itself, or the artist? How do we value a work when a critic can spin a tale turning paint splotches into a tragic masterpiece? Who really owns a work of art? What does the artist owe the world?

With the elegantly elongated Elizabeth Debicki (who will play Princess Diana in the next season of The Crown), Claes Bang (best name in showbiz, as a rancid version of his character in The Square), Donald Sutherland, and Mick Jagger as the devilish collector (He should always be cast as the devil). The cast is perfect, the Italian locations are gorgeous, the subject is intriguing, the movie is tepid but stress-free viewing. Debicki is always worth watching.

I’ve just finished my first short story for 2020. Here’s an excerpt.

January 25, 2020 By: jessicazafra Category: Art, Books 6 Comments →

The Adventuress
by Jessica Zafra

for Jeffrey Jeturian

She was very beautiful, so she always had her way. Throughout her childhood people told her parents that her beauty would bring them great fortune. To her parents, low-level bank employees this meant she would become a beauty queen or a famous actress, and they would never have to work again. Her education was spotty—what was the point, she wouldn’t need it—and she was shockingly ignorant. Barely was she out of diapers when talent scouts came knocking. As a child she appeared in TV commercials. In her teens when she entered beauty pageants the other girls fell silent and burst into tears, for how could they possibly compete with her? One fashion designer declared that she looked like Rita Hayworth—this was before the Internet, so no one could Google what he meant. She automatically qualified for the semifinals on the basis of sheer beauty, but she was lazy and petulant and made no secret of the fact that she thought everyone was beneath her. Her parents begged and wheedled to no avail, and soon she was a perennial also-ran and there were no more contests that would have her.

A talent manager got her parts in a few movies, but she always came late and unprepared and couldn’t be bothered to remember her lines. Not even the casting couch, where she held sway, could make producers abandon profit. And then it was the Nineties and she was 25.

At a bar in Malate she was chatted up by a Saudi Arabian man in his late 30s. His Armani shirts, Ralph Lauren jeans, Gucci loafers and gleaming Rolex announced that he was the man she and her parents had been looking for. A week later she was living in his suite at the Hotel Intercontinental, which soon became crowded with shopping bags from Manila’s most expensive stores. She only had to look at a dress or a piece of jewelry, and he would buy it for her. She had found her calling, which was to be kept by a rich man. It was not as if she had negotiable skills. The objections of her parents, church-going people, were quickly overriden by gifts of large flasks of French perfume, a Louis Vuitton clutch bag, and the latest Nike sneakers for her younger siblings. Six months later the Saudi Arabian bought her a condominium in a nice building in Legazpi Village—a studio, but it was just the beginning. When she had a child they would move into a posh gated subdivision like Corinthian Gardens, where she could have maids and drivers.

Two months later, without a word of warning, he announced that he had to return to Jeddah to marry a proper Muslim girl. There was nothing he could do, his parents had commanded it. She railed and threatened to slit her wrists, but three days later he was gone.

So she went to Malate, to the bar where she’d met the Saudi Arabian, and got roaring drunk. By midnight she had kicked off her shoes and was dancing on top of a table surrounded by ogling, cheering men with their tongues hanging out. At 3am she passed out. When she woke up at noon she was lying naked in bed with a man who was also naked. He gazed at her, and said in a funny accent, “Would you like to marry me?”

End of excerpt. To get access to the whole story and to a new story every month, consider being our patron on Patreon.

As with most of my stories, this one is mostly true. I heard it from my friend Ligaya who has lived in Paris since the 90s. I wrote it for my friend Jeffrey, whom I met in 2000 when I interviewed him about his movie. The following year I tagged along when he presented the movie at the Venice Film Festival. It was my first trip to Europe.

Suddenly my Patreon account has come to life with people who want to read the rest of the story. Thank you! Whenever I finish a short story I will post an excerpt and make the whole story available to patrons. Hmm, I should post my unfinished stories as well, maybe you can tell me what happens next.

A vertical tour of Modernist-Art Nouveau La Coruna

May 18, 2019 By: jessicazafra Category: Art, Design, Places, Spain Diary, Traveling 1 Comment →

The Arambillet Building (1912) in Praza de Lugo (near FNAC and the Mercado). Designed by Antonio Lopez Hernandez and Julio Galan y Gonzalez Carvajal, Chief Architect for the province of La Coruña.

Casa Rey (1911) by Julio Galan, in the Crystal City on the Avenida Marina. These glassed-in balconies used to be the backs of the buildings. The glass also traps heat, very useful on cold winters. Eyebrows flew when an apartment in the building was recently sold for one million euro. I don’t know what it looks like inside, but if I had a million euro I sure would.

The RTVE office rising like a stately cake in the Mendez Nuñez Gardens near the port. There are patches of green all over the city, which has no more room to expand so older buildings are constantly renovated (but their facades are protected).

They couldn’t just leave a facade alone, they had to embellish embellish embellish. The bourgeoisie, flush with cash from their overseas ventures, wanted to show off.

The Wonenburger foundry opened in town and produced wrought-iron balconies for the early 20th century high-rises. La Coruna is surrounded by the sea so metal rusts quickly. The solution: layers of paint.

This is just the front door of Casa Tomas Da Torre (near Zara)

Easy to miss the imposing facade of 22 Calle Real in the middle of the shopping district unless you make it a habit to look up. It’s okay because the people are polite and will not bump into you.

11 San Nicolas reminds me of a hot guy who acts like he has no idea how hot he is, which makes him even hotter.

Thanks to my extremely knowledgeable guide, Margarita Parada, for pointing out the architectural beauties I would’ve missed by looking straight ahead.

Six hours in Santiago de Compostela

May 09, 2019 By: jessicazafra Category: Art, History, Places, Spain Diary, Traveling No Comments →

My host Yolanda Castaño, founder and director of Residencia Literaria 1863, is a major Galician poet, translator, sometime TV presenter, and tireless promoter of Galician culture. She gave a talk at the University of Santiago de Compostela, a pleasant 45-minute drive from La Coruña. I tagged along.

Yolanda’s latest book, her twelfth, is a collaboration with 40 Galician comic book artists. They interpreted her poems in their own styles, some tackling the entire piece, some focusing on a line or two. The result is beautiful to look at, though I can’t read it with my kindergarten Spanish. In the first place it is in Galician, one of the official languages of Spain, which has much in common with Portuguese.

Afterwards we walked around the medieval town, which pilgrims have converged on since the 9th century when it was believed that the remains of St. James were buried here. The earliest pilgrims walked from France across the Pyrenees to the Cathedral, a journey which took months or years. The Camino de Santiago today has many routes of various degrees of difficulty. The scallop shells embedded in the stones are the symbol of the walk—the early pilgrims took them as souvenirs, and used them for eating and drinking.

It’s easy to imagine what the town must’ve looked like in the Middle Ages, with its narrow cobblestone streets, bars, and souvenir shops selling jewelry made of jet and silver. And excellent bookstores. During our tour we ran into half a dozen writers.

The Cathedral of Santiago de Compostela, the end of the pilgrimage, is undergoing renovation.

Visitors line up to embrace the image of Saint James behind the altar, and ask him to grant their requests.

Cold, blustery day, brief rainshowers and the possibility of you and your umbrella getting Mary Poppins-ed.

On Episode 7 of our podcast, Art Fair organizers Trickie Lopa and Lisa Periquet talk about art, commerce, drama, and which artists they’d like to show

February 16, 2019 By: jessicazafra Category: Art, Podcast No Comments →


Trickie Lopa and Lisa Periquet of Art Fair Philippines


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Leo Abaya’s Demograpi, Atbp is his strongest, most politically-engaged exhibit yet

October 22, 2018 By: jessicazafra Category: Art, Current Events No Comments →


Demograpi

Leo Abaya takes the big data about the world we live in and translates them into human terms, extracting the truth from the cold, hard facts. Demograpi, Atbp is brilliant.


Detail from Demograpi


Another detail from Demograpi


Missing Slider. Spot the fuck-you.


Mga Nakabusal Na Saksi (Silenced Witnesses). How are witnesses silenced? By ripping their eyes out.

Demograpi, Atbp is on view at Tin-Aw Art Gallery until mid-November. Tin-Aw is at Somerset Olympia (across the hall from Old Swiss Inn) on Makati Avenue (beside the Peninsula Manila). The gallery is open Mondays to Saturdays from 10am to 6pm.