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Our World Domination Project premieres at the Kanagawa Arts Theatre on Friday.

Between meetings, rehearsals, and watching the performances, I’ve been wandering around Yokohama.

Illustrated tiles suddenly appear on the sidewalks.

This friendly dog welcomes diners to a ramen restaurant.

Chinatown is lit up in preparation for the Chinese New Year. I went walking with Nicole and Krishna, whom I have enlisted as “translation assistants” for the show. Impossible not to buy something while roaming Chinatown. Sukiyaki-flavored Pringles. Moisturizing face masks that look like cats.

I miss my cats, so they will get the best presents.

According to my friend Rebecca, there is a large colony of cats living on the hillside around Sacre Coeur, and she sees some of them on the street every morning when the neighborhood cat lady feeds them. I didn’t see any of the hill cats. Whenever I missed my feline overlords at home, I had to climb the long stairway to the cafe with the resident cat extortionist, Me.
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A robbery by Caravaggio

The next morning, Jessica goes off to the Louvre. Anouk sets about finding replacement locks, etc. They’re expensive and theoretically should be covered by insurance, but the fine print disagrees.

Then Anouk gets a phone call, garbled, from someone who says, “I am sanitary services.” He sounds scary and raspy. He says he found her bag with her keys, passports, cards, even her cheque made out to Cash, in a public toilet. He says to meet him on the second floor of a parking building.

When Anouk gets to the ground floor of that parking building, it occurs to her that it is dangerous to meet with strangers who claim to have your stolen things. So she approaches a beefy man, explains her predicament, and asks him to accompany her.

The man says she is foolish to meet with strangers who claim to have your stolen things, but he agrees to go with her.

The second floor of the parking building is empty. They walk and walk, and at the very end of the floor there is a truck and two guys in sanitary services uniforms. They have Anouk’s bag. Everything is in it but her cash and her phone. They apologize for having opened the bag to find some identification. Anouk thanks them profusely.

So Anouk cancels some of her notices of stolen documents. However, the embassy says that once the police have reported her passports lost, the passports are cancelled. She could try asking the police to report them found, but the police probably won’t do it.

So Anouk returns to the prefecture, where a more cheerful cop tells her that this is only the second time such a thing has happened. She tells him about how something similar had happened to her friend in Manila. (That time, a bag snatched in Glorietta was dumped in a bin full of bags in Landmark.) They laugh.

In the next cubicle, a morose cop is reading out a report. A woman says her husband is trying to drive her crazy by clomping around the house at night so she can’t sleep. The morose cop overhears Anouk’s story and says, “Good thing you got your bag back.” It was the cop who took her statement the previous day!

Why did Jessica go to the Louvre? The Mona Lisa has nothing on this.

Here the mood shifts from Rohmer to Melville.

The prefecture of police is in Clignancourt. Seedy. The kind where they march Jean-Paul Belmondo in wearing handcuffs, and slam his face against a table. There are four people waiting to file reports ahead of Anouk and Jessica.

The cops are kind of cute, and their uniforms are flattering, but Jessica is from Manila and her standards are abysmal.

One guy is pacing across the lobby like he’s about to have a nervous breakdown.

Finally, a cop talks to Anouk, then tells her someone will take her report in 30 minutes. Anouk and Jessica decide to get a drink.

The first bar is too seedy. The second has dads with kids. Anouk and Jessica sit and have Calvados and charcuterie. They catch up. Anouk apologizes again for this start to Jessica’s visit. Jessica says, “Are you kidding? It’s a story.”

When Jessica goes to the WC in the basement, a man emerges from the ladies’ room.

Forty minutes later, there are nine people sitting in the prefecture lobby. Apparently pickpockets love Sundays. One lady is wearing two straw hats and two scarves with five brooches. There are two large suitcases in front of her. She talks to Anouk, and then to Jessica. Jessica tries to explain that she does not speak French, but the woman just wants to talk, so what the hell. Jessica just nods at everything she says. Then the woman says, in English, “I will go out and smoke a cigarette. Please watch my bags, they are all I have in the world. I have no more home.” She is teary-eyed. She goes out for a smoke. The other people restrain their smiles. Jessica is the last to catch on that she’s probably loony.

Later, Anouk explains that the woman is reporting the theft of a suitcase containing all her bank books, jewelry, and titles to her property. She believes that the bank told her family that her valuables were in that suitcase, and so her family stole it. She also says her sister stole her beautiful brooches. “But you’re wearing five of them,” Anouk had pointed out. “These are the ugly ones,” the woman replied.

A family of tourists appears. They are Greek. The aunt’s bag was stolen when they were changing buses. Her passport was in the bag. They return to Greece tomorrow. The cop is nice enough to rush a document she can present to the Greek embassy tomorrow morning so she can get a temporary travel document and go home. Otherwise the police are taking their time.

Half an hour later, Anouk is summoned to an inner cubicle where a cop takes down her statement.

The process takes an hour. The cop is not happy to be interviewing people on a Sunday. He does not look at the photo from the CCTV as it proves nothing. He reads out the report in a morose monotone and stamps the papers with great force. So Anouk has her police report, and she can proceed with the tedious process of navigating the bureaucracy.

To be concluded with a twist

In which Jessica goes away to decompress and lands in a Rohmer-like movie.

Jessica visits her friend Anouk in Paris. Anouk is Belgian and has lived in Paris for thirty years. Upon arriving from Manila, Jessica passes out for ten hours. Anouk’s daughter Annick, who lives outside Paris, is sleeping over for the night.

When Jessica regains consciousness, she suggests Sunday brunch. Anouk says brunch is not really a thing in Paris. They go to a neighborhood café that actually serves brunch. Annick is still sleeping when they leave the apartment.

Anouk, a regular at the café, ask for a table upstairs. There’s a table free, but it has a Reserved sign. Anouk interrogates the waiter, who says the reservation was phoned in. “Aha!” Anouk says. She tells the manager that when she, a local, tried to make a reservation in the past, she was told that the café did not accept reservations. She suspects it was her accent (after 30 years in Paris).

The waiter gives them a tiny table on the ground floor. They settle in. It is draughty. When another table becomes available, they move. It is just as cramped and draughty. Anouk and Jessica eat their omelets and discuss their respective novels. Then Anouk realizes that her bag, which was under her coat, is gone.

Anouk alerts the manager. The manager checks the CCTV files. Another customer lends Anouk her phone so she can call her lost phone. It’s already on voicemail. Anouk’s house keys, passports, cards, everything, are in the bag. She decides to walk back to her apartment to catch Annick and get the spare keys. She asks Jessica to wait for the owner to give her a CCTV photo of the probable thief.

Anouk goes. Jessica waits five minutes, then the manager gives her a CCTV photo of the suspect, who looks foreign. He is not holding Anouk’s bag, so it is unclear why he has been identified as the perp. The manager and the waitress talk to Jessica very fast. Jessica took 12 units of French in college. This is her fourth visit to Paris. She has seen every Truffaut and Rohmer movie. She does not understand a word.

It is crowded in the café, so Jessica decides to wait outside. She is fascinated by a poster for a lost cat. While she is standing on the sidewalk, she sees a delivery van hit a dog. The dog, who wears a harness, yelps but runs away. Jessica prepares to join a lynch mob. Snatching bags is one thing, but hitting a dog? Jessica and several other people check on the dog. He seems alright. The van driver remonstrates with the dog’s human. The prospective lynch mob dissipates.

Jessica walks up and down the street in front of the café for 20 minutes. She could walk back to the apartment, but if Anouk isn’t there, she can’t get in anyway. She increases the radius of her walks, but always returns to the front of the cafe. She looks at a bookstore window.

Then she has to use the WC. She goes into the café and asks the manager if Anouk has returned. Yes, the manager says, but she did not know where Jessica had gone and she did not leave a number. (They probably would not have called anyway, as it is a Manila number.)

Jessica waits some more. It’s getting cold. There’s still a queue in front of the café, so maybe brunch is becoming a thing. Finally, she decides to walk back to Anouk’s house. Anouk is making phone calls. She’s had her cards cancelled, and now she has to have them replaced. In France if you lose your documents, even your supermarket membership card, you have to present a police report to get them replaced.

To be continued

The Twisted books are out of print so it’s time to make new ones. I just finished writing a long account of my trip to the Czech Republic, which reminded me that I have over a decade’s worth of travel notebooks, most of them unpublished. There’s enough of them to fill a large bag.

Chuvaness gave me this shopping bag last year, which is how I learned of the existence of Opening Ceremony haha.

Everything is in longhand so now I have to type it all up and edit it. That, or find a really good OCR app.

Interested publishers, email saffron.safin@gmail.com.